Masamitsu Araki: Soundtrack for Midnight TAMURO
An extraordinary concert performance on the outskirts of town
»Tamuro« is Japanese and means »to hang out together«. For his TAMURO concert project, artist Masamitsu Araki draws on memories of parking lots in rural Japan—places on the outskirts of smaller towns that serve as unofficial meeting spots, especially for young people, functioning as improvised social spaces beyond the confines of school, work, and home. At the same time, these spaces are informal hubs of vibrant subcultures where vehicles become mobile carriers of sound. Building on this, Araki composes a musical suite for an ensemble of modified cars. Cruising seemingly aimlessly, this ghostly motorized orchestra moves through the space, unfolding a fleeting concert at dusk. For Kunstfest Weimar, the project from Kyoto is being reimagined in collaboration with members of the local car-tuning scene and performed on the Festwiese Apolda.
A shuttle bus service will be available on both days of the event for the journey from Weimar to Apolda and back.
21 August, 7.45 PM: Departure from the Herzogin Anna Amalia Library
(FULLY BOOKED) 22 August, 7.45 PM: Departure from the Friedensstraße / Atrium bus stop
Limited seats, anyone wishing to use the shuttle can simply book it under → besuch@kunstfest-weimar.de.
Please note: There will be no continuous seating arrangement at the performance. Visitors are welcome to sit on a picnic blanket or bring their own. For those who require a seat, 30 chairs will be available.
To complement the performance, the video installation → »TAMURO and Petrol Station«, featuring two films by Masamitsu Araki and Cornelia Erdmann, is being shown at the → Festival centre: 20 August – 24 August • 26 August • 31 August • 3–4 September, 4.00 pm – 8.00 pm in a continuous loop, free admission.
ARAKI MASAMITSU
ARAKI MASAMITSU (b. 1981, Yamagata) is an artist, musician, and sound designer. He lives and works in Kyoto. While music is at the subject of his artistic practice, he takes the periphery of the discipline as his starting point and explores creative listening in a humorous way to encourage a reconsideration of context and utility in music. He constructs unique soundscapes that utilize sound, video, voice, site-specific elements, and environments, and he employs various forms of presentation, including theater pieces, installations, performances, guided tours, and more. Araki collaborates with various artists as a sound designer. He is an active member of ARCHIVES PAY, a participatory work group for recording, and the music group NEW MANUKE.
- Direction, composition & performance: Masamitsu Araki
- Stage manager: Yuhi Kobayashi
- Sound: Bunsho Nisikawa
- Video design: Yuma Saito, Masamitsu Araki
- Performance: Benne Grebner, Karol Cholewinski, Marc Brada, Reiky Voigt, Toni Hauk, Vincent Ziegler, Vivien Öhrlein, Xenia Grimme
- Language interpretation Japanese-German: Yoshiki Matsuura (research, rehearsal)
- Production management: Kazue Suzuki
- Translation into German: Kunstfest Weimar / Maria Rößler (performance), Joschua Seiler (prologue film)
- Production: Masamitsu Araki
- Co-production: Kyoto Experiment
- Supported by: Sparkasse Weimar – Weimarer Land, Kyoto Experiment with the support of Japan Creator Support Fund, Saison Foundation
- Ernst von Siemens Musikstiftung
- In cooperation with: Culture Department of the City of Apolda
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Fri 21.8. • 20:30 - 22:00
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Sat 22.8. • 20:30 - 22:00
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Without words
Wheelchair-accessible seating
- Direction, composition & performance: Masamitsu Araki
- Stage manager: Yuhi Kobayashi
- Sound: Bunsho Nisikawa
- Video design: Yuma Saito, Masamitsu Araki
- Performance: Benne Grebner, Karol Cholewinski, Marc Brada, Reiky Voigt, Toni Hauk, Vincent Ziegler, Vivien Öhrlein, Xenia Grimme
- Language interpretation Japanese-German: Yoshiki Matsuura (research, rehearsal)
- Production management: Kazue Suzuki
- Translation into German: Kunstfest Weimar / Maria Rößler (performance), Joschua Seiler (prologue film)
- Production: Masamitsu Araki
- Co-production: Kyoto Experiment
- Supported by: Sparkasse Weimar – Weimarer Land, Kyoto Experiment with the support of Japan Creator Support Fund, Saison Foundation
- Ernst von Siemens Musikstiftung
- In cooperation with: Culture Department of the City of Apolda