VAP, Vusi Mdoyi & Phala Ookeditse Phala:
Izithukuthuku: The Tattered Soul of the Worker
A powerful dance theatre piece about work and resistance
With his captivating Pantsula choreographies, Vusi Mdoyi has made a name for himself far beyond South Africa’s borders. Now, together with playwright and director Phala Ookeditse Phala, he presents his first full-length dance theater production, exploring themes that transcend geographical and cultural boundaries. “Izithukuthuku” explores the strength, burdens, and endurance of the working class—in particular, the life of a migrant worker amid the harsh pulse of a chaotic, crisis-ridden system. The performance by the virtuoso ensemble from Johannesburg combines the rhythmic movement language of isiPantsula with traditional South African dances such as indlamu, setapa, tsutsube, and toyi-toyi into a vibrant expression of collective energy. Typewriters, sewing machines, crates, and human bodies create a circulating, percussive soundscape of alienated labor and violent capitalism that feeds on the productive souls. The mechanical rhythm and stacks of paper symbolize the patronizing control to which workers are constantly subjected. A lament emerges over dwindling resources and opportunities, over the consequences of layoffs, inflation, the financial crisis, and vanishing jobs, and over the endless struggle to adapt again and again to the prevailing conditions. Against the backdrop of forced industrialization and colonial exploitation in southern Africa, indigenous and marginalized forms rise as a bold cross-generational language of memory and protest. “Izithukuthuku” is a celebration of survival, dignity, and resistance.
»Izithukuthuku« is part of the dance programme. Together with → »Maldonne« , this event is available as part of a → Kombi-Ticket
VUSI MDOYI
VUSI MDOYI is a dancer, choreographer, and teacher. He is the founding director of VAP Dance Academy, Theater, and Studios in Katlehong as well as co-founder of Impilo Mapantsula Global Movement, an organization that preserves, promotes, researches, documents, and further develops Pantsula culture. Pantsula is an energetic dance form that emerged in the Black townships of South Africa during the apartheid era. Mdoyi has been closely connected to the history, politics, fashion, music, and language of this cultural movement since childhood and has been working for more than twenty years to introduce the art form across regions—on theater stages, in experimental art spaces, and in academia. With Impilo Mapantsula, Mdoyi has realized a series of international stage productions—including “The Ecstatic” (2019) and “How a Falling Star Lit Up the Purple Sky” (2022) in collaboration with Jeremy Nedd.
PHALA OOKEDITSE PHALA
PHALA OOKEDITSE PHALA is a playwright, theater artist, dramaturg, and director. His work has won awards in South Africa, the United States, the Czech Republic, Australia, and Scotland. Born in Botswana, he studied performing arts at Wits University in Johannesburg. From 2019 to 2023, he was Animator of the Centre for the Less Good Idea, an interdisciplinary arts incubator in Maboneng, Johannesburg. He is co-director of the arts collective Noma Yini, which focuses on “storying”— the multiple ways of coming into, portraying, forming, building, making, and performing stories. His works champion emotional and psychologically-stimulating story as a uniquely African aesthetic. His focus is on methodologies of creating work in ways that collapse and disrupt conventional norms.
- Choreography, concept: Vusi Mdoyi
- Direction, concept: Phala Ookeditse Phala
- Dramaturgy: Jeremy Nedd
- Performance: acting, vocals • Sbusiso Shozi; percussion • Lesego Thabethe; dance • Elma Motloenya, Lungile Ngwenya, Macaleni Shili, Oscar Buthelezi, Paballo Phiri, Thembi Ngwenya, Thulisile Binda, Vusi Mdoyi
- Technical Manager & Re-Lighter: Alfie Sissons
- Sound Engineer & Operator (Tour): Fabrizio Di Salvo, Vincent Guerouet
- Production management, stage management: Dimakatso Motholo
- Production management, tour management: Steph Bergé for Sáwá Creative Studio
- Translation into German: Kunstfest Weimar / Maria Rößler
- Creation Partner: The Center for the Less Good Idea (with special thanks to Michael Inglis & Zain Vally)
- Production: VAP Dance Academy, Theatre & Studios
- Co-production: National Arts Festival (South Africa), Noorderzon/Grand Theatre Groningen, Kaserne Basel, Kunstfest Weimar, Step Afrika!
- Creation partner: The Centre for the Less Good Idea
- Thanks to: The Centre for the Less Good Idea, National Arts Council, Kinani International Contemporary Dance Festival, Quito Tembe, Rucera Seethal
- With the kind support of the Goethe-Institut.
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Sun 30.8. • 18:00
German Premiere
Followed by a Q&A session with the audience, moderated by Stephan Mahn
This event is part of the »Kombi-Ticket Dance« (20% reduction) -> Book a combo ticket -
isiZulu, isiTsonga, English, German Subtitles, Gibberish
Wheelchair-accessible, Induction loop
- Choreography, concept: Vusi Mdoyi
- Direction, concept: Phala Ookeditse Phala
- Dramaturgy: Jeremy Nedd
- Performance: acting, vocals • Sbusiso Shozi; percussion • Lesego Thabethe; dance • Elma Motloenya, Lungile Ngwenya, Macaleni Shili, Oscar Buthelezi, Paballo Phiri, Thembi Ngwenya, Thulisile Binda, Vusi Mdoyi
- Technical Manager & Re-Lighter: Alfie Sissons
- Sound Engineer & Operator (Tour): Fabrizio Di Salvo, Vincent Guerouet
- Production management, stage management: Dimakatso Motholo
- Production management, tour management: Steph Bergé for Sáwá Creative Studio
- Translation into German: Kunstfest Weimar / Maria Rößler
- Creation Partner: The Center for the Less Good Idea (with special thanks to Michael Inglis & Zain Vally)
- Production: VAP Dance Academy, Theatre & Studios
- Co-production: National Arts Festival (South Africa), Noorderzon/Grand Theatre Groningen, Kaserne Basel, Kunstfest Weimar, Step Afrika!
- Creation partner: The Centre for the Less Good Idea
- Thanks to: The Centre for the Less Good Idea, National Arts Council, Kinani International Contemporary Dance Festival, Quito Tembe, Rucera Seethal
- With the kind support of the Goethe-Institut.