Franziska Winkler: Schlucken
A literary exploration of a suppressed language and identity
SCHLUCKEN (to swallow) is the working title of Franziska Winkler’s current novel-in-progress, which explores the story of a Deaf-hearing family and the violence Deaf children experienced in East German (GDR) boarding schools—the suppression of their language, their signs, and their needs. Spanning three time periods, the text traces how these experiences become inscribed in bodies and relationships across generations. The work is grounded in interviews conducted in sign language, archival research, and the author’s own family history as the hearing daughter of Deaf parents. In this staged reading, a Deaf and a hearing actress perform the text in both German Sign Language and spoken language. What appears side-by-side on the pages of the book comes to life on stage: the tension between worlds of two languages, the physicality of signing, and the silence in between. A conversation with the author Franziska Winkler, the contemporary witness Erika Beyer and the Deaf historian Helmut Vogel will follow the performance.
»Schlucken« is part of the German Sign Language (DGS) themed weekend, to which both hearing and deaf people are invited. Together with → »Pas Moi« , the event is available as part of a → Kombi-Ticket.
FRANZISKA WINKLER
FRANZISKA WINKLER is an author, editor, and curator of literature projects involving sign language. She grew up as the daughter of Deaf parents. She initially studied Cultural and Media Studies (BA) at the University of Bremen and the Yeditepe University in Istanbul. She went on to study Deaf Studies (BA) at Humboldt University of Berlin; she engages critically with the issue of audism and is committed to emancipatory literature projects. In 2017, together with Katharina Mevissen, she founded the independent literary initiative handverlesen which translates, mediates, and disseminates texts in German Sign Language. Her anthology »handverlesen – Sign Language Poetry in Spoken Language« was published in 2023 by hochroth Munich. From 2022 to 2023, Franziska Winkler was artist-in-residence at Burg Hülshoff – Center for Literature. In 2024, she received a grant from the Künstlerdorf Schöppingen Foundation and participated in the prose writers’ workshop at the Literarisches Colloquium Berlin.
»Since 2017, I have been running projects with Deaf and hearing artists that consistently take into account the coexistence of sign language and spoken language. First and foremost, these projects focus on sign language poetry and its dissemination, but also on enabling Deaf artists to gain greater visibility within the cultural and literary sectors, which are heavily dominated by hearing people.«
- Performance: Katharina Hackhausen, Athena Lange
- Text and execution: Franziska Winkler
- Interpreters: Neely de Jong, Caterina Macht
- Stage direction: Hermann Müller
- In Kooperation with the DNT Weimar and the Literarischen Gesellschaft Thüringen e.V.
- Supported by: Max Zöllner Stiftung; Wortwächter, ein Projekt von ALG e.V. und Mutwerk e.V., gefördert durch das Bundesprogramm »Jugend erinnert!« – Förderlinie SED-Unrecht des Bundesbeauftragten für Kultur und Medien (BKM) und der Bundesstiftung Aufarbeitung; Förder- und Freundeskreis Deutsches Nationaltheater und Staatskapelle Weimar e.V.
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Sat 29.8. • 19:30
World premiere
This event is part of the »Kombi-Ticket Schlucken & Pas Moi« (30€). -> Book a combo ticket
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German sign language (DGS), German
Content notes
Der Text thematisiert institutionelle Gewalt gegen Kinder, Zwangsoralismus, körperliche Bestrafung, Zwangsernährung sowie intergenerationale Traumata.
- Performance: Katharina Hackhausen, Athena Lange
- Text and execution: Franziska Winkler
- Interpreters: Neely de Jong, Caterina Macht
- Stage direction: Hermann Müller
- In Kooperation with the DNT Weimar and the Literarischen Gesellschaft Thüringen e.V.
- Supported by: Max Zöllner Stiftung; Wortwächter, ein Projekt von ALG e.V. und Mutwerk e.V., gefördert durch das Bundesprogramm »Jugend erinnert!« – Förderlinie SED-Unrecht des Bundesbeauftragten für Kultur und Medien (BKM) und der Bundesstiftung Aufarbeitung; Förder- und Freundeskreis Deutsches Nationaltheater und Staatskapelle Weimar e.V.